There's an impressive pedigree of kid actors portraying the Justice League.
That seems silly, but the episode has a surprising amount of character work, and a dark ending that's difficult to forget. RELATED: Justice League: What Happened in the Animated Series' Scrapped Film How 'Kid Stuff' Further Explored the Justice League Heroes Instead, the cartoon uses the setup to have the four Justice League members seen in the opening make a deal with Morgaine Le Fay and return to Earth as children. That raises an intriguing question: In a world without adults, can the kid Billy Batson turn into the magical adult being, Captain Marvel? It's a subject the animated adaptation avoids entirely in fact, all teen sidekicks are ignored. The comic's story relies on teen sidekicks to save the day, in an adventure in which they turn to Captain Marvel's alter-ego, Billy Batson, for help. They immediately find themselves in a strange dimension populated only by adults.
Elsewhere, the Justice League are fighting Cheetah, Copperhead, Blockbuster and KGBeast when the energy wave hits. He responds by casting a spell to banish every adult from the world. She warns he's not mature enough to use the amulet's power, which angers Mordred (while also proving her point). Mordred snatches the amulet from his mother, declaring he is tired of living in her shadow. In an unnamed mountain temple, the villains locate a mystic artifact, the Amulet of First Magic. Rather than using a new character as the story's starting point, the creators bring back established villains Morgaine Le Fay and her son, Mordred, make return appearances. RELATED: How General Zod Slid Into the DC Animated Universe How Justice League Unlimited's 'Kid Stuff' Changed the Story The story was written by established DC Animated Universe writer Henry Gilroy, and directed by one of Unlimited's best, Joaquim Dos Santos. The story became the inspiration for a later Justice League Unlimited episode, "Kid Stuff" (alternately referred to as "Kids Stuff" or "Kids' Stuff" on the DVD packaging and online listings). As Earth is now only populated by children, Robin, Superboy and Impulse team up to try to set the world right. Stuart transforms into the powerful Bedlam, and immediately transports every adult to a parallel world. He soon learns, however, that the artifact grants him the power of a god. In World Without Grown-Ups, a boy named Matthew Stuart pitches a fit on his 13th birthday when his father, an Indiana Jones-style explorer, gives him an ancient Atlantean artifact instead of a video game system. Ramos utilized his manga-inspired, expressionistic style on the pages devoted to the heroes' teen sidekicks, dramatizing the generational rift between the heroes, and a concurrent shift in how these characters were portrayed.
McKone was assigned the pages dealing with the adult heroes, featuring them in the ultra-buff, heavily rendered style of that era's typical mainstream superhero comic. The comic was written by Todd Dezago, with penciling duties split between Mike McKone and Humberto Ramos.
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World Without Grown-Ups was a two-part prestige series that would also set the stage for a Justice League spinoff titled Young Justice. DC wasn't shy about exploiting the Justice League brand, producing countless miniseries, one-shots and prestige-format titles with the team. In the late 1990s, DC's Justice League experienced renewed popularity following Grant Morrison and Howard Porter's revamp of the monthly comic, based on the premise that the title deserved big-name heroes and appropriately big ideas.
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